Vivica A. Fox

Um, 'Soul Food'... Another wonderful little movie that could. Here's a film that, I think our budget was maybe $6 million. We shot it in Chicago in six weeks. I was so proud of the film, because it showed America that an African-American film about family could sell, could do well, could cross over and have true meaning.

I do two cups of coffee with a little bit of raw sugar and soy creamer, and then I do a bowl of plain oatmeal with walnuts and blueberries. Now, if I could do what I really wanted to do with my life, every morning I would have a salami-and-cheese omelet with hash browns and a buttermilk biscuit - and pancakes. But my heart would explode.

My mother and father, with my newborn brother and me in the backseat of the 1938 Ford sedan that would be our family car for the next decade, moved to that hastily constructed Army ammunition depot called Igloo, on the alkaline and sagebrush landscape of far southwestern South Dakota. I was three years old.