I'm looking at some comedic horror films because I have often been accused of being too dark. I'm not dark, not compared with 'Saw' or anything like that. So I'm looking at live-action horror films, but not slasher ones - ones that have humor and maybe some social satire. Henry Selick accuseactioncomedic share on social
There's this long tradition of... even 'Where The Wild Things Are,' which many people consider the best kids' picture book of all time. It was considered revolutionary, and some libraries wouldn't carry it. But it's a classic because it taps into empowerment for kids, kids facing dangers and winning. Henry Selick bookcarryclassic share on social
I feel I'm just meant to do stop-motion. Live-action is much more glamorous to some, but it's basically a whole army of people focused on one thing. Henry Selick actionarmybasically Change image and share on social
When you're writing, it's all up to you, and you don't have to make any compromises. And when you're directing, there's this intense pleasure you get from working with all these really talented people, and pooling the efforts towards a common goal. I like all the aspects of film-making. Henry Selick aspectcommoncompromise share on social
There's the animation ghetto of feature films in this country. There's this flavor at DreamWorks, and Pixar does their own thing, and generally they're safe. But if you look at Walt Disney's original films, at the time and in the context, they weren't safe. They were really dark and troubling. Henry Selick animationcontextcountry share on social
If you're drawing humans, it can be detrimental to be too naturalistic, which is like animating little corpses. Henry Selick animatecorpsedetrimental Change image and share on social
Unless you have kids, you actually have no idea what kids are watching on TV these days. Henry Selick dayideakid Change image and share on social
We can still do a stop motion feature for about one-third of what it costs Pixar or DreamWorks or Blue Sky to make a feature. But nobody is interested in a film that cost $50 to 60 million with the potential to do $120 million. They want to risk big money to make huge money. Henry Selick bigbluecost share on social
Stop-motion is sort of twitchy; you can feel the life in it. If we were to remove that completely, there'd be no point in it. Henry Selick completelyfeellife Change image and share on social
What stop-motion does best is present real objects magically brought to life in a very imperfect situation; the hand of the artist is there, the electricity of someone touching, massaging and torturing themselves to get life out of an inanimate object. Henry Selick artistbringelectricity share on social