I feel I'm just meant to do stop-motion. Live-action is much more glamorous to some, but it's basically a whole army of people focused on one thing. Henry Selick actionarmybasically Change image and share on social
What stop-motion does best is present real objects magically brought to life in a very imperfect situation; the hand of the artist is there, the electricity of someone touching, massaging and torturing themselves to get life out of an inanimate object. Henry Selick artistbringelectricity share on social
If you're drawing humans, it can be detrimental to be too naturalistic, which is like animating little corpses. Henry Selick animatecorpsedetrimental Change image and share on social
There's the animation ghetto of feature films in this country. There's this flavor at DreamWorks, and Pixar does their own thing, and generally they're safe. But if you look at Walt Disney's original films, at the time and in the context, they weren't safe. They were really dark and troubling. Henry Selick animationcontextcountry share on social
Unless you have kids, you actually have no idea what kids are watching on TV these days. Henry Selick dayideakid Change image and share on social
There's very few people who want to just make beautiful films that make money, when they can make films that make huge money. Henry Selick beautifulfilmhuge Change image and share on social
While I was making 'Coraline' I barely got to see any films at all, so I've got a lot of catching up to do. Henry Selick barelycatchcoraline Change image and share on social
I think it's important that kids see another kid - Coraline - who doesn't have guns, she doesn't have super-powers, she's not a super-genius. To see a pretty normal kid - I mean, she's probably a little more curious, a little more stubborn, but she's a real kid - go up against something that's truly dark and evil and powerful. And she does win. Henry Selick coralinecuriousdark share on social
Stop-motion is sort of twitchy; you can feel the life in it. If we were to remove that completely, there'd be no point in it. Henry Selick completelyfeellife Change image and share on social
No one's ever going to make a PG-13 animated film unless David Fincher executive produces it and puts it out on Netflix, and then if it's a success everyone will change. Henry Selick animatechangedavid Change image and share on social