We can still do a stop motion feature for about one-third of what it costs Pixar or DreamWorks or Blue Sky to make a feature. But nobody is interested in a film that cost $50 to 60 million with the potential to do $120 million. They want to risk big money to make huge money. Henry Selick bigbluecost share on social
Underneath this tired, middle-aged exterior, I'm an 11 year old kid. Henry Selick ageexteriorkid Change image and share on social
Very few people have made the transition from animation to live-action; I'm certainly not one. Henry Selick actionanimationlive Change image and share on social
What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page that's really dark and adds a little sweetness to it, a living toys realm. Henry Selick adddarkfairy share on social
I feel I'm just meant to do stop-motion. Live-action is much more glamorous to some, but it's basically a whole army of people focused on one thing. Henry Selick actionarmybasically Change image and share on social
I think stop-motion has always been semi-obsolete. And stop-motion animators - people like myself - love it so much that we're always going to be looking for new ways to make our films. Henry Selick animatorfilmlove Change image and share on social
My mother is a huge fan of my work. I told her about 'Coraline' long before the film was made, and she got the book and read it. She reminded me that when I was about five years old, I used to sit in the kitchen for hours and talk about my 'other' family in Africa, my other mother and father. I had totally forgotten that. Henry Selick africabookcoraline share on social
Kids love to be scared; we all do. But there's a difference between leaving them hanging out there, with their fears, and then bringing them safely home. Kids love it when someone like them stands up against real evil, something really horrendous and frightening, and win. Henry Selick bringdifferenceevil share on social
I learned my lesson that in the live-action world, you have to earn the support of people over a very, very long time. And in animation, I already have the support. Henry Selick actionanimationearn Change image and share on social
No one's ever going to make a PG-13 animated film unless David Fincher executive produces it and puts it out on Netflix, and then if it's a success everyone will change. Henry Selick animatechangedavid Change image and share on social