We are suffering from a glut of too many 3-D movies and not enough screens. Henry Selick glutmoviescreen Change image and share on social
Just like those little Viewmaster slides, there's a inherent magic that's captured in 3D that you can't get in drawn animation or in CG. Henry Selick animationcapturedraw Change image and share on social
I was influenced by Ray Harryhausen and Lotte Reiniger, with her twitchy, cutout animation, which I happened to see at a very young age, but also by the Warner Bros. cartoons, 'Tom and Jerry,' and of course Disney. And also by Fellini's 'Giulietta of the Spirits' and Kurosawa's 'Ran.' And by other American illustrators and painters. Henry Selick ageamericananimation share on social
CG can do anything, but it can't do everything well. What it naturally can do is special effects. But using stop-motion comes from our desire to do handmade stuff. There are always going to be kids who get out whatever it might be - clay, bits of wire, Barbie dolls, Legos. They want to tell little stories. Henry Selick barbiebitclay share on social
I'm looking at some comedic horror films because I have often been accused of being too dark. I'm not dark, not compared with 'Saw' or anything like that. So I'm looking at live-action horror films, but not slasher ones - ones that have humor and maybe some social satire. Henry Selick accuseactioncomedic share on social
I have more faith in doing something creative for a cable station or something like Yahoo or Google or Amazon. What Netflix did with 'House of Cards' and David Fincher was brilliant. That is inspiring to me. I think there is more chance for creativity in animation, it just hasn't happened there yet. Henry Selick amazonanimationbrilliant share on social
There's always kids who become stop motion animators. I get stuff all the time. They put it on YouTube. It's exciting to see. Henry Selick animatorexcitkid Change image and share on social
I think that one of the things that I can do is I seem to have the ability to zoom in super tight for very small details, but then jump back for sort of that big picture perspective. And I think that ultimately, that's one of my strengths, because you have - every detail matters. Henry Selick abilitybackbig share on social
Making 'Coraline' was one of the great filmmaking experiences of my life. Henry Selick coralineexperiencefilmmake Change image and share on social
Having to make a blockbuster every time puts unhealthy pressure on creatives. The pressure on the filmmakers is so intense, I think it stifles the creativity. Henry Selick blockbustercreativecreativity Change image and share on social