While I was making 'Coraline' I barely got to see any films at all, so I've got a lot of catching up to do. Henry Selick barelycatchcoraline Change image and share on social
People are always telling me that boys won't go to girls' movies and vice versa. It's not true. Henry Selick boygirlmovie Change image and share on social
Puppets seem like vampires sometimes. They live, and you're depleted. Henry Selick depletelivepuppet Change image and share on social
I think stop-motion has always been semi-obsolete. And stop-motion animators - people like myself - love it so much that we're always going to be looking for new ways to make our films. Henry Selick animatorfilmlove Change image and share on social
I was at Disney for about four years, so I made good friends there. It was a time of not a lot of creativity. It was the end of the first great era, with a few of the original animators. They called them the Nine Old Men. I learned a lot from them, but it wasn't going to be a future home for me. Henry Selick animatorcallcreativity share on social
In all animation, if it's done quickly, you'll know it. And if you're very slow and careful with it, it's going to look a little more beautiful. It's just compressing time into seconds. Henry Selick animationbeautifulcareful Change image and share on social
When you're writing, it's all up to you, and you don't have to make any compromises. And when you're directing, there's this intense pleasure you get from working with all these really talented people, and pooling the efforts towards a common goal. I like all the aspects of film-making. Henry Selick aspectcommoncompromise share on social
I was influenced by Ray Harryhausen and Lotte Reiniger, with her twitchy, cutout animation, which I happened to see at a very young age, but also by the Warner Bros. cartoons, 'Tom and Jerry,' and of course Disney. And also by Fellini's 'Giulietta of the Spirits' and Kurosawa's 'Ran.' And by other American illustrators and painters. Henry Selick ageamericananimation share on social
'Coraline' is Neil Gaiman's book, it sold a lot, it has a big fan base. It was originally conceived to be live action, but I never really wanted it to be. I always thought that it would work better as an animated film. Henry Selick actionanimatebase share on social
You know, I love stop-motion. I've done almost all the styles of animation: I was a 2D animator. I've done cutout animation. I did a CG short a few years ago, 'Moongirl,' for young kids. Stop-motion is what I keep coming back to, because it has a primal nature. It can never be perfect. Henry Selick agoanimationanimator share on social