Susan Vreeland

As New York careens toward the modernity of the twentieth century when Gibson girls were transforming themselves into working women, Clara Driscoll enters the male field of stained glass artistry and builds a lively, multi-national, multi-class women's department within Tiffany Studios.

An independent state does not pay too dear a price for its independence in accepting the sufferings of war when it cannot avoid them; a state which has lost its independence may find at least some compensation in the fact that its protector procures for it peace with its neighbours.

In every election cycle that I can recall, there comes a moment - or a few - where charges of elitism and claims of commonness are wielded by presidential candidates like a sword and shield: 'Vote for me 'cause I'm one of you. It's the other guy who's out of touch.'

It's hardly even noticeable that so many artists, designers and architects live here. It isn't reflected in the cityscape or in the museums. Many of the artists, for example, exhibit around the world, just not in Berlin.