'Memoirs of a Geisha' is everything you'd expect it to be: beautiful, mesmerizing, tasteful, Japanese. It's just not very hot. Stephen Hunter beautifulexpectgeisha Change image and share on social
Considered purely as effects-driven filmed drama, 'The Day After Tomorrow' checks in somewhere in the middle of one of Hollywood's most absurd and least lamented dead genres, the disaster pic of the '70s. It's a little better than 'Earthquake' but not as good as 'The Towering Inferno,' because it doesn't star Steve McQueen and Paul Newman. Stephen Hunter 70sabsurdcheck share on social
I kind of figured if I couldn't get a job as a dwarf, looking as I do, I should just give up acting. Stephen Hunter actdwarffigure Change image and share on social
'Pearl Harbor' is definitely about December 7, 1941, but it is not of December 7, 1941. It's not even really of our age, either. It has more of the feel of a film from, roughly, mid-war. Stephen Hunter agedecemberfeel Change image and share on social
But you can still find good films if you read your local film critics and are willing to drive a bit. You have to be a proactive film viewer to have the most provocative cinema life. Stephen Hunter bitecinemacritic Change image and share on social
For me, as an actor, just to keep acting and to keep being able to work and to do different roles and challenging roles, that's something I'd love to do. Stephen Hunter actactorchallenge Change image and share on social
Within an ensemble, like in sports, if you do your little job, it makes everybody look good. Stephen Hunter ensemblegoodjob Change image and share on social
The true mystery of the JFK assassination isn't 'How could the bullet go through two people with only slight damage?' but 'Why did the third bullet explode?' Stephen Hunter assassinationbulletdamage Change image and share on social
By the '50s and '60s, war movies had become big and impersonal. They almost never bothered to characterize the Japanese enemy as particularly evil; in fact, they never bothered to characterize him at all. Stephen Hunter 50s60sbig share on social
Even my pathological love of Japan and its beauties, glories and eccentricities is sorely tested by 'The Grudge 2,' from Takashi Shimizu, a movie so bewildering and impenetrable that I believe it siphoned off a good 40 IQ points. Stephen Hunter beautybewildereccentricity share on social