Stephen Hunter

The horror movie will not go away. Look at the change in the Hollywood landscape as a signifier of its durability. At one point it was just one of many styles of films called 'product' that between, say, 1930 and 1970, the movie city ground out like sausages or hula hoops at a rate of four or five a week.

I never feel so utterly fraudulent as when I review a movie whose charms impress all in the world and I simply do not get it. The other variant is that I love something the world disdains. This has had severe career consequences: I am still famous - or notorious - in certain quarters where I am recalled as the man who liked 'Hudson Hawk.'

Sometimes you see films, not just science fiction films, where you get the sense that if the camera were to pan just to the left or the right, all of a sudden you'd be seeing light stands and crew standing around. But with 'Blade Runner,' the beauty of it is that it felt like a real, breathing city.

Now I'm old... maybe I'm still an eccentric hippie. There's a wonderful freedom in the eccentricity - you can go places, you can be wacky, and you don't have to be constrained. I think that's why people are eccentric - eccentricity is a weapon... and it's great!