Stephen Costello

In productions such as 'Anna Bolena' and 'Rigoletto,' the costumes are tailored, and they're tight. In 'Moby,' it's like you're wearing pajamas, and you have more freedom. It's very comfortable on stage.

As a singer, you can't hear what's coming out of your throat; you're only hearing it from the inside, so you need a trusted person who knows how your voice works. It's like a car. You take it to the same mechanic because they know it inside out, and every time you get it back, it works fantastic.