Sarah Hall

For its speculations to be taken seriously, dystopian fiction must be part of a discussion of contemporary society, a projection of ongoing political failures perhaps, or the wringing of present jeopardy for future disaster.

It's very interesting to me that the nationalist movement in Scotland has become so positive and self-reflective rather than anti-English. The referendum in 2014 was peaceful, for all its deeply and passionately divided people.

Daniel Woodrell has made a name as a master of prose with personality - a densely descriptive, gamey form of storytelling, one might say traditional storytelling - of late rather an unfashionable mode.