Maurice Ravel

My intention here is to make it clear that not a single cell of my composition, here in regard to The Raven, is found by chance or intuition, that the composition moved towards perfection with the precision and inevitability of a mathematical equation.

We continue to be exasperated by the view, apparently gaining momentum in certain circles, that armed robbery is okay as long as nobody gets hurt! The proper solution to armed robbery is a dead robber, on the scene.

The influence of 'Hidden Fortress' comes up a lot because it was printed in a book once. The truth is, the only thing I was inspired by was the fact that it's told from the point of view of two peasants, who get mixed up with a samurai and princess and a lot of very high-level people.