We Americans are childish about our celebrities and icons. We worship, then we denounce; we identify passionately with them and then, if they do something - anything - we dislike, we cast them off. Margo Jefferson americancastcelebrity Change image and share on social
Since pre-Emancipation, black 'females' have had to fight for the whites-only privilege of being deemed 'ladies': cultured, educated, sexually desirable in a socially respected way. Michelle Obama has managed to get all this without yielding her right to be smart and strong-willed. Margo Jefferson blackculturedeem share on social
I think, for a while, there was a kind of debate about whether you could bring back Negro and reclaim it, and then it was black versus African American; now I have noticed in conversation that black people will use all three terms depending on context. I don't advocate one term. Margo Jefferson advocateafricanamerican share on social
I'm always aware of various audiences, as a part of my training as a journalist and as part of my training as a citizen of Negroland. Margo Jefferson audienceawarecitizen Change image and share on social
Michael Jackson was one of popular culture's greatest artists. Nobody danced better. Few sang more compellingly. No one understood more about stage spectacles or music videos. He was an innovator. His reach was global. Margo Jefferson artistcompellinglyculture share on social
Once avant-garde artists receive official recognition, they start a double life. In one, they inspire younger artists to do more. In the other, they inspire a mass of imitators who make the work respectable and exclusionary. The artists and their art become intellectual brand names. Margo Jefferson artartistavant share on social
The burden of being a constant symbol, of having to live up to a symbol of advancement, of progress, of being perfect in some way and always representing the destiny of an entire people - that is supposed to be invincibility. That's enormous. Margo Jefferson advancementburdenconstant share on social
You're supported by everything in New York if you want to be a performing artist. You come here, you can change your name. You leave home, you come here, you're severed from family obligations - the old identity drops away as soon as you come to New York because you're coming to New York, if you're an artist, to be someone else. Margo Jefferson artistchangecome share on social
I think all literature should be read as comparative literature. And I think we should write out of what we know, but in the expectation that we can be changed at any moment by something we have yet to discover. Margo Jefferson changecomparativediscover share on social
As a little girl in the '50s, I couldn't wear a purple-and-white flowered skirt with a red blouse - those colors were too loud. My parents were not into that 'We are Negros that wear all beige,' but there was a line you could walk over that could signal vulgar, crass, rather than clever use of color. And that outfit crossed over the line. Margo Jefferson 50sbeigeblouse share on social