Who, adult or child, is Michael Jackson truly close to? What and who is he trying to flee? What's the nature of the psychic damage he has so clearly sustained? I suspect his racial identity is more a byproduct of that damage than the primal cause. Margo Jefferson adultbyproductchild share on social
The piece I most love wearing is Mother's gold brocade cocktail dress with matching jacket... It's 'flip and flirty,' as my mother prescribed. It's crisp yet splendid. It makes me feel I've put on made-to-order armor. My mother's armor. Armor that helped shield me from exclusion. Armor that helped shield me from inferiority. Margo Jefferson armorbrocadecocktail share on social
New Yorkers know how to borrow wildly. You know, Louis Armstrong was not a New York musician. He went from New Orleans to Chicago to New York, and when he arrived here, he taught those New Yorkers. New York needs that infusion. Margo Jefferson armstrongarriveborrow share on social
We Americans are childish about our celebrities and icons. We worship, then we denounce; we identify passionately with them and then, if they do something - anything - we dislike, we cast them off. Margo Jefferson americancastcelebrity Change image and share on social
I think, probably, socially, in some ways New York may be the least American city. It represents too many things that Americans really don't entirely want in their lives. Margo Jefferson americancitylive Change image and share on social
I think, for a while, there was a kind of debate about whether you could bring back Negro and reclaim it, and then it was black versus African American; now I have noticed in conversation that black people will use all three terms depending on context. I don't advocate one term. Margo Jefferson advocateafricanamerican share on social
I'm always aware of various audiences, as a part of my training as a journalist and as part of my training as a citizen of Negroland. Margo Jefferson audienceawarecitizen Change image and share on social
Noir is a court of human relations, and some crimes are beyond legal restitution. Margo Jefferson courtcrimehuman Change image and share on social
Ralph Ellison's essays were models for me when I began my life as a critic. Slipping cultural yokes and violating aesthetic boundaries, he made criticism high-stakes work, especially for a black critic. Margo Jefferson aestheticbeginblack share on social
Thank God for jazz. It gave black women what film and theater gave white women: a well-lighted space where they could play with roles and styles, conduct esthetic experiments and win money and praise. Margo Jefferson blackconductesthetic Change image and share on social