Lucy Alibar

It absolutely helped - to write the father in both 'Juicy' and 'Beasts,' I had to see the whole story from his point of view. All of a sudden I understood more of what my own father must be going through - the fear, the frustration, the anger... the hope that he'll leave a legacy.

I always felt like there wasn't a blueprint for father-daughter relationships - for them or for us. Because what are they supposed to do with us, treat us like boys, or small women, or what? Father-daughter relationships are so unique from family to family, and I'd love to watch it explored more onstage.

What I look for when I see a piece of art for the first time is some kind of emotional, intellectual experience, that's a combination of both of those things and is informed by my knowledge and something new that I see the artist doing.

People have this idea that the more pious and devout I am, the more successful I am. Which is very dangerous. If you look at faith in that way, you're bound to fail at both - spiritually and in your career.