Kathryn Stockett

I was born in Jackson, Mississippi, in 1969, in a time and place where no one was saying, 'Look how far we've come,' because we hadn't come very far, to say the least. Although Jackson's population was half white and half black, I didn't have a single black friend or a black neighbor or even a black person in my school.

As children, we looked up to our maids and our nannies, who were playing in some ways the role of our mothers. They were paid to be nice to us, to look after us, teach us things and take time out of their day to be with us. As a child you think of these people as an extension of your mother.

If you're in pop music, you've got to deal with the changing of the guard every few years. By the time the '70s arrived, I was well aware of the cyclical nature of the game. Pop music is a creature of the moment; it thrives on the mood of its time. Either you hook into that or you're not going to be part of it.