Some of the things that have been the most meaningful to me have been experiences I've shared with my family. Kathleen Battle experiencefamilyhave Change image and share on social
I sing what I sing. And that's recitals and orchestra concerts. To appease - no, that's not the right word - let's say to satisfy - any opera urgings that my public has, I'll put in an aria. Kathleen Battle appeaseariaconcert Change image and share on social
People are drawn to the spiritual. It has a universal appeal. Kathleen Battle appealdrawpeople Change image and share on social
The question is not... if art is enough to fulfill my life, but if I am true to the path I have set for myself, if I am the best I can be in the things I do. Am I living up to the reasons I became a singer in the first place? Kathleen Battle artfulfilllife share on social
How many of the original songs survive intact from the slave cabins? Probably not many in their original form. Time has transformed them like light in a prism. What we hope to present is a version of those spirituals, and they speak not just to black Americans, but to people worldwide. Kathleen Battle americanblackcabin share on social
I'm a consumer as well as a performer. Among my leisure-time activities is going to the theater. I'm very interested in that. Kathleen Battle activityconsumerinterest Change image and share on social
When I do concerts and recitals, the two most common requests are spirituals and opera. Kathleen Battle commonconcertopus Change image and share on social
From the spiritual came the blues, gospel, and rhythm-and-blues. I heard all of that music growing up, and that has influenced how I approached classical music. I'm sure of it. Kathleen Battle approachblueclassical Change image and share on social
I think for more than half of my career, I have refrained from talking to the media. Kathleen Battle careerhalfmedium Change image and share on social
I bring my classical training - some of it, but not all of it - and also my background and culture, to spirituals. And I try to leave room for that unpredictable factor, where the feeling of the song is allowed to come through. The same ethos can be applied to singing Mozart, or Schubert, or Bach. It's not just about what's on the page. Kathleen Battle allowapplybach share on social