Top 45 Quotes by Joe Carnahan

I was not a gigantic fan of 'The A-Team' as a kid. I was a huge 'Miami Vice' fan. So for me, not necessarily to say that I put a 'Miami Vice'ish spin on 'The A-Team,' but for me, what I was most intrigued by was this notion of these four guys, these four kind of special operators.

I love the ambiguous kind of endings. I think, oftentimes, that's what life really is - there's no concrete path for you to take. It's always kind of a jumble of variables. Behind this door could be a beautiful woman, and behind the same door could be a tiger, you know? You don't know.

I always thought that as much as I love 'White Jazz,' it became almost unfilmable at some point, because there are so many strands, so much, and it became so psychotic... that's what made it such a great book, but those things would not carry over into the filmic realm, I thought, with ease.

So much of Hollywood is this kind of overly machismo, nonsensical view of masculinity, which I just don't find honest. I think it's this idea of - you know, we're told, well, 'Be a man, be a man.' But what does that mean, exactly? Does that mean you can't carry yourself with any fear? That you can't acknowledge that you're scared?

I did a pilot for Fox years ago called 'Faceless,' with Sean Bean. I always thought it was such a cool show because it was really raw. I thought we were pushing it. This was back at a time before there was the 'cable standard.'

There's a film that I wrote that I want to do called 'The Grey,' which is about a group of pipeline workers in Alaska flying back into civilization after being remote for a number of months. The 737 they're on goes down, and they begin to be hunted by a pack of rogue wolves.

'Raising Arizona' is maybe my favorite comedy of all time. What's great about it is that as slapstick as it gets, it has great moments of emotion and caring. Them bringing the baby back and Trey Wilson's character. I love that, man.