I wish I'd made 'Warrior,' and I wish I'd made 'Drive.' Joe Carnahan drivemakewarrior Change image and share on social
Early '90s, I was big, big into Sinatra. I was in college. I was fascinated. Joe Carnahan 90sbigcollege Change image and share on social
I am fascinated by that notion of people are never as they seem. And that doesn't make them good or bad. It's just we don't ever really show ourselves if we don't have to. Joe Carnahan badfascinategood Change image and share on social
If 'The Blacklist' taught me anything, it was kind of open-ended intrigue and leaving questions unanswered. Creating this kind of mystery by virtue of depriving the audience of these easy answers was what I was kind of into. Joe Carnahan answeraudienceblacklist share on social
I got 'The Grey' made because Liam Neeson wanted to make that movie. Joe Carnahan greyliammake Change image and share on social
I don't know if I'm the most religious guy, but I think I'm a spiritual man, and these are the things I think about a lot. In terms of the film, I think 'The Grey' is very much a non-denominational kind of film. I don't think it's something that relies on a particular religious bent to tell the story. Joe Carnahan benddenominationalfilm share on social
If I was ever gonna remake a Peckinpah film, it would be 'Bring Me The Head of Alfredo Garcia.' That's my favorite Peckinpah film. Joe Carnahan alfredobringfavorite Change image and share on social
I'll spend the rest of my life chasing that feeling I had on 'The Grey,' because I think we're all aware that, first and foremost, we were having an adventure, and we were also making this movie at the same time. Joe Carnahan adventureawarechase share on social
I love the ambiguous kind of endings. I think, oftentimes, that's what life really is - there's no concrete path for you to take. It's always kind of a jumble of variables. Behind this door could be a beautiful woman, and behind the same door could be a tiger, you know? You don't know. Joe Carnahan ambiguousbeautifulconcrete share on social
'The Blacklist' was really right place, right time. I read the script and met with Jon Bokenkamp, John Eisendrath, John Fox and John Davis, and we just hit it off. They understood that I was not so much trying to adapt to television, but adapt a cinematic style to the things that we were gonna do. Joe Carnahan adaptblacklistbokenkamp share on social