Giles Duley

For me, documentary photography has always come with great responsibility. Not just to tell the story honestly and with empathy, but also to make sure the right people hear it. When you photograph somebody who is in pain or discomfort, they trust you to make sure the images will act as their advocate.

To step on a bomb, have your legs blown off and survive, is lucky. Everybody has a good-luck story. Mine was the fact that the senior medic was on patrol that day. Those who don't have a good-luck story are the ones who don't make it.

The thrill of a photo-realist painter is if you get really close to the painting, it looks just like a photograph. Whereas in my case, if you get close to my paintings, they totally fall apart - so I'm about as far from a photo-realist as it gets.