Our present will become the past of other men and women. We depend on them to remember it with the complexity with which it was suffered. As others, once, depended on us. Eavan Boland complexitydependman Change image and share on social
One of the things women poets have been engaged in - among the other things they've been doing - is revising parts of the poetic self. Re-examining notions of the authority within the poem, and of the poem. Eavan Boland authorityengageexamine share on social
As far as I was concerned, it was the absence of women in the poetic tradition which allowed women in the poems to be simplified. The voice of a woman poet would, I was sure, have precluded such distortion. It did not exist. Eavan Boland absenceallowconcern share on social
I still believe many poets begin in fear and hope: fear that the poetic past will turn out to be a monologue rather than a conversation. And hope that their voice can be heard as that past turns into a future. Eavan Boland beginconversationfear share on social
I had studied Irish history. I had read speeches from the dock. I had tried to fuse the vivid past of my nation with the lost spaces of my childhood. I had learned the battles, the ballads, the defeats. It never occurred to me that eventually the power and insistence of a national tradition would offer me only a new way of not belonging. Eavan Boland balladbattlebelong share on social
In my thirties I found myself, to use a colloquial fiction, in a suburban house at the foothills of the Dublin mountains. Married and with two little daughters, I led a life which would have been recognizable to any woman who had led it and to many others who had not. Eavan Boland colloquialdaughterdublin share on social
During my twenties and thirties, my interest in the political poem increased as my apparent access to it declined. I sensed resistances around me. I was married; I lived in a suburb; I had small children. Eavan Boland accessapparentchild share on social
At the age of seventeen, I left school. I went to university, and I wrote my first attempts at poetry in a room in a flat at the edge of the city. Eavan Boland ageattemptcity Change image and share on social
New voices in an old art - and women poets have been that for much more than a century - do not diminish the art through the category. They enrich it. They renew it with common quandaries of craft and innovation. The category simply allows the quandaries to be seen more clearly. Eavan Boland artcategorycentury share on social
The nineteenth century, especially the second half of it, was a time of restatement in Ireland. After the famine, after the failed rebellions of the Forties and Sixties, the cultural and political desires for self-determination began to shape each other in a series of riffs on independence and identity. Eavan Boland begincenturycultural share on social