I was a foggy, erratic teenager: a fifth child, the last in the queue for conversation or attention. Eavan Boland attentionchildconversation Change image and share on social
In those years of the Fifties, in London and New York, I lived, without knowing it, in a time when the profoundest changes were happening: when a radical alteration was getting ready to happen in the way a society saw young girls. And, as a consequence, in the way they saw themselves. Eavan Boland alterationconsequencefifty share on social
It is certainly true that writers take a stance at some variance from organized religion. This has not always been true. But since the romantic movement - and I'm referring now exclusively to poetry - the emphasis has been on the individual imagination defined against, rather than in terms of, any orthodoxy. Eavan Boland defineemphasisexclusively share on social
I would come to understand there is no poem separable from its source. I began to see that poems are not just an individual florescence. They are also a vast root system growing down into ideas and understandings. Almost unbidden, they tap into the history and evolution of art and language. Eavan Boland artbeginevolution share on social
There is nothing settled about a poet's identity. The becoming doesn't stop because the being has been achieved. They proceed together, attached in ways that are hard to be exact about. Eavan Boland achieveattachexact Change image and share on social
I had started writing as a poet in a closed, post-Revival, claustrophobic world, where the shadows of the national upheaval and the intense effort - the intense self-conscious effort - to make a literary movement were still evident. Now we lived a life as writers that was more cosmopolitan, more open, that had more travel and exchange. Eavan Boland claustrophobiccloseconscious share on social