Dylan Moran

I grew up in a house where there was lots of teasing and language play and laughter; it was very important. When I was a teenager, you wouldn't go to a bar and find lots of televisions everywhere. People were talking. Talk was the mental fire you would gather around in the evening. It occupied a big part of your existence.

Stand-up came naturally to me because people in Ireland talk. But that's not talking on panel shows; it is structured fun. It reminds me of some tragic aunt clapping her hands and bouncing into a room and announcing we should all play games... and if we don't we are all a rotten spoilsport.

I can well imagine that certain writers, even writers that we'd consider today very great writers, may not necessarily have tested highly on IQ just because of their numerical skills, or maybe they may not be very good at memory, and are not particularly good at these kinds of tests.

You make your first album, you make some money, and you feel like you still have to show face, like 'I still go to the projects.' I'm like, why? Your job is to inspire people from your neighborhood to get out. You grew up there. What makes you think it's so cool?

If a man made himself an expert in any particular branch of human activity, there would result the strong tendency that a peculiar aptitude towards the same branch would be found among some of his descendants.