Douglas Carter Beane

When you do a film, when you do a television show, eventually someone comes along and will say to you, 'Don't say that because, one, you will offend someone, or, two, no one will get that. Someone's going to be confused by that, not get the reference and feel abandoned, and then they will get angry at the entertainment.'

When people say 'Lysistrata' has always been seen as an anti-war play, what's interesting is to not make it an anti-war play, because I actually think there are important times to go to war in this world. That's just the reality. But what's interesting is the not caring.

I went into Xanadu going, 'I really dislike this movie - let me try to make it something wonderful,' but with 'The Band Wagon,' I really revere this movie. It's really a beautiful movie musical. And, yet, because I'm a writer and look at it that way, I see that there are faults in it.

Nothing is beautiful, only man: on this piece of naivete rests all aesthetics, it is the first truth of aesthetics. Let us immediately add its second: nothing is ugly but degenerate man - the domain of aesthetic judgment is therewith defined.

The terms of copyright last far too long: either the life of the author plus 70 years after death for a personal work or 95 years for a corporate work. That length doesn't encourage more authorship - it merely limits the speakers who could share powerful speeches, books, and films.