You can cycle through London on the side streets, which are less polluted - and much more interesting anyway. Deborah Moggach cycleinterestlondon Change image and share on social
Psych yourself up until you're confident that the world will be interested in what happens to your characters. Confidence is key. Deborah Moggach characterconfidenceconfident Change image and share on social
Once you start cycling, the city opens up for you. No longer are you fighting it, hot and frustrated; no longer are you at the mercy of bus drivers, roadworks, decisions made by others and over which you have no control. Believe me, once you've tasted this freedom, you're hooked. Deborah Moggach buscitycontrol share on social
I've written something like 17 novels, which isn't bad, I suppose, but my father wrote 120 books, my mother 40. In comparison, I'm lazy. Deborah Moggach badbookcomparison Change image and share on social
I am a great believer in having the power to end your life and knowing that, in extremis, you can. But I would not want to involve anybody else in my actions if it could imperil them. Deborah Moggach actionbelieverend Change image and share on social
I work every day from 9:30 or so until lunchtime. In the afternoons, I become a normal person - go shopping and do the garden and look after my grandchildren. Deborah Moggach afternoondaygarden Change image and share on social
Don't start writing your novel until you know your characters very, very well. What they'd do if they saw somebody shoplifting. What they were like at school. What shoes they wear. Spend days - weeks, months - being them until they thicken up and start to breathe. Deborah Moggach breathecharacterday share on social
I feel as if someone is going to come along, feel my collar and say: 'Do you really think you can get people to read books you've made up about people that don't exist?' Deborah Moggach bookcollarexist Change image and share on social
'Tulip Fever' did change my life. It did that thing that sometimes happens when a book takes off - it opened doors on to whole other worlds. Deborah Moggach bookchangedoor Change image and share on social
The traditional writer is a sensitive only child, asthmatic, who sits on the window seat watching the drops of rain slide down the pane, very introspective. I'm not inward-looking. I would never go to a shrink. I don't want to know what I'm thinking. I don't really like discussions in my family. It may be an avoidance thing. Deborah Moggach asthmaticavoidancechild share on social