Top 50 Quotes by Deborah Moggach

The traditional writer is a sensitive only child, asthmatic, who sits on the window seat watching the drops of rain slide down the pane, very introspective. I'm not inward-looking. I would never go to a shrink. I don't want to know what I'm thinking. I don't really like discussions in my family. It may be an avoidance thing.

My favourite room in my house is easily the top room, which is a bedroom but also a bathroom, with a big, wooden carved bath, two huge fireplaces and a raised bit in the corner for performances. I've had some really lovely parties and poetry readings up there.

It's a very rich brew that's in your psyche by the time you're in your 60s, and I think that's rather interesting. It makes you feel you've lived a very long life; it's like going on holiday to three different cities rather than spending two weeks in Lisbon. You look back on the holiday, and you seem to have been away forever.

I look in the mirror expecting to be 34 and see someone who is 58. What's that all about? I haven't even thought about turning 60 yet, but so many of my friends have celebrated it by now that it's lost its terror. And I don't mind being 58; it's just such a surprise when one doesn't feel it at all.

Discover the times when you're most creative - mornings, nights, afternoons - and clear the time to work then. Many writers find the mornings are best, and the afternoons are only good for editorial corrections, or getting the washing done. Others can only work through the night, drunk.

My perfect day is to work incredibly well in the morning and write something wonderful, then take the dog for a walk and go for a swim in the ladies' ponds on Hampstead Heath or work in my allotment. Then I get tarted up in the evening and go out in London to dinner or the cinema.