I never quite know if what I do will be understood. Chris Raschka understand Change image and share on social
Somewhere in this process, I begin reading and showing my book to my audience. When I say my audience, I mean a single imaginary child who is a blend of myself as a young person, the students in my wife's classroom of first- through third-graders, and the students from two classrooms I visit regularly in the Bronx, New York. Chris Raschka audiencebeginblend share on social
If it's just brushstrokes wrestling around, it isn't much of a picture book, is it? There still has to be a picture. And maybe it needs to be a picture of a dog named Daisy or a little girl riding a bike. So I have to be careful before I get too carried away in the manner itself. Chris Raschka bikebookbrushstroke share on social
For the continued survival of our planet and humanity, it is crucial that certain discoveries and skills and inventions made by people over the years be passed on from one human generation to the next, from one person, face-to-face, to another. Chris Raschka continuecrucialdiscovery share on social
Hand any four-year-old a fist full of crayons, and it is a very, very few who don't get busy with them, drawing, coloring, scribbling. I have not stopped scribbling. Chris Raschka busycolorecrayon Change image and share on social
Sometimes I worry about the amount of paper I waste. Chris Raschka amountpaperwaste Change image and share on social
Usually, a number of events will be going on around me to start me on a book. What I mean is, I will have read a poem or seen a picture that is lingering in my mind. Chris Raschka bookeventlinger Change image and share on social
Can you really learn to knit from a diagram? Try it. Do you want to learn to ski or surf by yourself? You could drown or run into a tree. Chris Raschka diagramdrownknit Change image and share on social
There has to be the right pacing of images to tell the story. I'm always stunned at how little you can put in. Chris Raschka imagepaceput Change image and share on social
I want each and every entire brushstroke to be seen. I want the marks made by the tip of the brush to carry as much meaning as the marks made by the dragging tail end, the part that splits open as the paint pulls away, thins and dries. Chris Raschka brushbrushstrokecarry share on social