Chris Raschka

I want each and every entire brushstroke to be seen. I want the marks made by the tip of the brush to carry as much meaning as the marks made by the dragging tail end, the part that splits open as the paint pulls away, thins and dries.

When I present the Charlie Parker book, I do a call and response that works quite well. With the Thelonious Monk book, I play the music and work with kids in a group to create a color wheel and show how the wheel can be mapped on a 12-tone chromatic scale.

The thing I'm most proud of is that I've raised a lot of money for certain charities - breast cancer and the Caldecott Foundation and the NSPCC. But as far as my self-esteem is concerned, doing 'The Graduate' for 11 months was fantastic.