Chris Raschka

I want each and every entire brushstroke to be seen. I want the marks made by the tip of the brush to carry as much meaning as the marks made by the dragging tail end, the part that splits open as the paint pulls away, thins and dries.

When I present the Charlie Parker book, I do a call and response that works quite well. With the Thelonious Monk book, I play the music and work with kids in a group to create a color wheel and show how the wheel can be mapped on a 12-tone chromatic scale.

Although I never married, my brother fortunately did, and I have had the pleasure of watching his three sons and daughter grow up. Several of them now have children of their own. We have been a close-knit family, although often separated by distance, and have shared each other's happiness, sorrows, and aspirations.