Brock Osweiler

The thrill of a photo-realist painter is if you get really close to the painting, it looks just like a photograph. Whereas in my case, if you get close to my paintings, they totally fall apart - so I'm about as far from a photo-realist as it gets.

I had a group of Hispanic Americans come into my office in 1976 who worked in a Denver packing plant. They had just been fired by their employer who turned around and hired illegal aliens for a lot less money. That had a big impact on me.