Augusten Burroughs

In his late quartets, Beethoven introduces an element that shouldn't be there, that should be left for meditation, though I love them. I can see that through them came Wagner and Mahler and Schoenberg and Berg. And then came Tracey Emin. And I can see it all as one downward path.

There isn't one album that says 'Hall & Oates.' It's always 'Daryl Hall and John Oates.' From the very beginning. People never note that. The idea of 'Hall & Oates,' this two-headed monster, this thing, is not anything we've ever wanted or liked.

Basically, I get paid to be crazy. I get paid to believe I'm someone else, live in a completely false reality, and believe it's real. And that's a little scary. And I do it to the best of my ability. But it's kind of like swimming out to sea. You have to leave enough energy to swim back, and sometimes you get scared you swam too far.