Amy Hempel

Obviously, in journalism, you're confined to what happens. And the tendency to embellish, to mythologize, it's in us. It makes things more interesting, a closer call. But journalism taught me how to write a sentence that would make someone want to read the next one.

I'm not first and foremost interested in story and the what-happens, but I'm interested in who's telling it and how they're telling it and the effects of whatever happened on the characters and the people.

I've always known when I start a story what the last line is. It's always been the case, since the first story I ever wrote. I don't know how it's going to get there, but I seem to need the destination. I need to know where I end up. It never changes, ever.

What a piece of garbage this smart car is. There's a commercial - the smart car has zero percent interest for six years. Well, good, I got zero percent in six years in buying this smart car. I'll tell you that much. I mean, it's ridiculous. My buddy has a smart car, totaled it. He hit a deer tick.

I hope that by modeling feminism in my own life, work and relationships that it will haut become an organic part of my daughter's life. But I'm also fully prepared for her to become a Republican as a way to rebel as a teenager - that would be just my luck!