Both my parents are professors, and I never really saw people do any other jobs, so I didn't really know how to want a different kind of job. Alexandra Kleeman jobkindparent Change image and share on social
Sometimes you go for weeks without writing successfully, and you don't feel like a writer anymore. When friends ask me how my week was or how I'm doing, I think back on it, and I've just been by myself. Like, I'm just a sketch. Alexandra Kleeman anymorebackfeel share on social
I feel like things are weirder in our food production chain than I can even make up. I wouldn't invent pink slime, but pink slime exists: It's a non-fictional entity. Like, that stuff grosses me out so much, I couldn't make it up. Alexandra Kleeman chainentityexist share on social
You can feel how much money goes into commercials by how swiftly they act on your mind. And they've got, like, a hypnotic quality to the way they present their products. Alexandra Kleeman actcommercialfeel Change image and share on social
'I' is the word everyone uses to refer to themselves. On the one hand, it points to a specific person, but it's also this blank space that you can insert yourself into; it's a chute into empathy. Alexandra Kleeman blankchuteempathy Change image and share on social
As a culture, we really like our food passive. Alexandra Kleeman culturefoodpassive Change image and share on social
I don't really buy the death-drive thing too literally; it feels overly neat and convenient. But I am suspicious of fighting back being the dominant model for cinematic conflict and personal conflict and political conflict. Alexandra Kleeman backbuycinematic share on social
A woman's body never really belongs to herself. As an infant, my body was my mother's, a detachable extension of her own, a digestive passage clamped and unclamped from her body. My parents would watch over it, watch over what went into and out of it, and as I grew up, I would be expected to carry on their watching by myself. Alexandra Kleeman belongbodycarry share on social
I think of workshopping as a way to read your own work through the eyes of others - a scene that you write gets refracted by those around you, and suddenly you have several different readings of it, each with a different momentum for how it might be retooled or reshaped. Alexandra Kleeman eyemomentumread share on social
I went into academia thinking that there'd be constant reciprocity between my scholarship and my creative work but found that doing one always turned my mind into the sort of tool that was badly suited to doing the other. Alexandra Kleeman academiabadlyconstant share on social