Alexandra Kleeman

When you seek out - or seek to avoid - your own reflection, the modern city becomes a hall of mirrors: car windows, reflective walls, and plate glass are everywhere, transmitting a cacophony of different versions of you - this one too short, that one too wide, another one with a sickly color you've never seen before.

Sometimes I want to withhold judgement on whether something is good or bad, but I do feel like identifying with TV characters - connecting to them emotionally more than you connect to literal, physical people in your life - causes problems. They just don't have the same existence or boundaries as you do. They resemble us, but they are not us.

We talk about characters in literature as though they were built on the model of the real person, but then I often think that the way we present ourselves as real people is based heavily on the way literary psychologies are stylized, and I wonder how the two forms of realistic personhood feed on or fulfill each other.

You make your first album, you make some money, and you feel like you still have to show face, like 'I still go to the projects.' I'm like, why? Your job is to inspire people from your neighborhood to get out. You grew up there. What makes you think it's so cool?

When I have a creative insight, there is a high. I think back in the day, I made music as much as I did because it made me feel so good. I think you could argue that there is a creative addiction - but, you know, the healthy kind.