The present and the past coexist, but the past shouldn't be in flashback. Alain Resnais coexistflashbackpast Change image and share on social
So I used formal techniques to make the film more perceptive emotionally. Alain Resnais emotionallyfilmformal Change image and share on social
It was repugnant, but it was the only way to communicate. Alain Resnais communicaterepugnant Change image and share on social
Since we had little money and few documents, we had nothing. Alain Resnais documentmoney Change image and share on social
That's easy to answer: I never had any special appetite for filmmaking, but you have to make a living and it is miraculous to earn a living working in film. Alain Resnais answerappetiteearn Change image and share on social
Luck, I never looked to make difficult movies on purpose. You make the films you can make. Alain Resnais difficultfilmlook Change image and share on social
I am never driven. Every film I've made has been an assignment. Alain Resnais assignmentdrivefilm Change image and share on social
I'd even say it's a realistic film because that's the way it happens in our heads; that was the idea. Alain Resnais filmheadidea Change image and share on social
I never thought of becoming a director. When I was twelve, the passage from silent film to the talkies had an impact on me - I still watch silent films. Alain Resnais directorfilmimpact Change image and share on social
There was a darkness, a melancholy, that people had trouble accepting. Maybe now, it would work better. Alain Resnais acceptdarknessmelancholy Change image and share on social