The theater itself is a lie. Its deaths are mere special effects. Its tales never happened. Even the histories are distorted for dramatic effect. The theater is unnatural, a place of imagination. But the theater tells the audience something true: that the world requires judgments. Virginia Postrel audiencedeathdistort share on social
Our demand for good looks, expressed in the biting comments that ensue when public figures fall short of perfection, puts enormous pressures on these individuals and may screen out the otherwise qualified. If video killed the radio star, it may also be doing away with the homely politician. Virginia Postrel bitecommentdemand share on social
Americans born since World War II have grown up in a media-saturated environment. From childhood, we have developed a sort of advertising literacy, which combines appreciation for technique with skepticism about motives. We respond to ads with at least as much rhetorical intelligence as we apply to any other form of persuasion. Virginia Postrel advertiseamericanapply share on social
We are material creatures who spend much of our lives on material pursuits (even building a cathedral or writing a novel requires stone and mortar or paper and ink). Virginia Postrel buildcathedralcreature Change image and share on social
On the Internet, people on the tails of the bell curve can find one another. Virginia Postrel bellcurvefind Change image and share on social
The profusion of fonts is one more product of the digital revolution. Beginning in the mid-'80s and accelerating in the 1990s, type design weathered the sort of radical, technology-driven transformation that other creative industries, including music, publishing, and movies, now face. Virginia Postrel 1990s80saccelerate share on social