Trevor Rabin

I grew up in such a musical family, and my dad was the first chair in the Johannesburg Symphony Orchestra, and my mom was a piano teacher and a painter, so it was kind of a creative environment, and it was kind of in my DNA.

I belong in America more than South Africa. I can't remember the feeling of living there anymore. It's like it was in another life. That's sad in a way. It is my country. It's where I grew up. You don't know what it's like to have these negative feelings about your homeland. There are roots you can't escape.

The historical novelist has to consider what has actually happened, while the SF writer is dealing in possibilities, but they are both in the business of imagining a world unlike our own and yet connected to it.

The historical novelist has to consider what has actually happened, while the SF writer is dealing in possibilities, but they are both in the business of imagining a world unlike our own and yet connected to it.

When I have a creative insight, there is a high. I think back in the day, I made music as much as I did because it made me feel so good. I think you could argue that there is a creative addiction - but, you know, the healthy kind.