Material things are not helpful after a certain degree of saturation. So you turn to other products. I think that therapy is a product that can transform you. But why does it need to be packaged as a product? Why can't I work on myself with my friends and family? Tino Sehgal degreefamilyfriend share on social
I'm not against the intergenerational function of the museum, I am not against its address or celebration of the individual, but I am against its continuous, unreflected-on celebration of material production. Tino Sehgal addresscelebrationcontinuous share on social
I wanted to do dance with the same seriousness as art was done and acknowledged, not with the entertainment factor that is always connected to theater and film. Tino Sehgal acknowledgeartconnect Change image and share on social
On a very, very basic level, I'm definitely pro market because with the market comes the idea of the individual and the idea of specialisation, and I personally like being an individual and choosing my interactions. I don't see culture moving away from that, like back to a farming society. You couldn't do that with the amount of people we have. Tino Sehgal amountbackbasic share on social
I want to bring back the human encounter into places where material things have a prime status. In a museum, you're supposed to look at things and not talk to other people. Tino Sehgal backbringencounter Change image and share on social
My father had to flee from what is today Pakistan when he was a child, and he became a manager at IBM, and any item of consumption he would acquire was a direct measurement of his success in life. But that same equation wasn't going to work for me - I was quite clear about that in my early teens. Tino Sehgal acquirechildclear share on social
In preindustrial times, the idea of creating something was more related to your personality. Personality was something that you constructed; it's something you had to actively develop and work on. Now personality is something that you have. Tino Sehgal activelyconstructcreate share on social
Photographs are two-dimensional. I work in four dimensions. Tino Sehgal dimensiondimensionalphotograph Change image and share on social
What my work is about is, 'Can something that is not an inanimate object be considered valuable?' Tino Sehgal considerinanimateobject Change image and share on social
Our culture is hung up on and overemphasises what can be derived from material objects. I think this is something quite new, over the past 200 or 300 years - that life has become about accumulating material wealth. The 21st century is not about accumulating material wealth like the 20th century. It's already eroding. Tino Sehgal 20th21staccumulate share on social