Top 40 Quotes by Teju Cole

Because I'm an art historian, I have some experience of writing that comes out of close attention. That's what really art history is. You're looking at something very closely, and you try to write in a meticulous way about it.

To read Transtromer - the best times are at night, in silence, and alone - is to surrender to the far-fetched. It is to climb out of bed and listen to what the house is saying, and to how the wind outside responds. Each of his readers reads him as a personal secret.

There was a feeling during the years of George W. Bush's presidency that his gracelessness as well as his appetite for war were linked to his impatience with complexity. He acted 'from the gut,' and was economical with the truth until it disappeared.

The most common thing I find is very brilliant, acute, young people who want to become writers but they are not writing. You know, they really badly want to write a book but they are not writing it. The only advice I can give them is to just write it, get to the end of it. And, you know, if it's not good enough, write another one.

There are many people who know nothing of a world in which we take the reality of the 'other' seriously. I'm running on that platform: other people in other countries are really, really real, and there has to be a way of presenting their reality that is not condescending to them or about our psycho-social needs.

I am on Vine. It's another early-adopter kind of thing. I'm trying to figure out what I'm going to do with it. What's interesting about it is that everybody knows these amazing restrictions we've put on it: I have to use my iPhone, I can only use one continuous take, I cannot edit afterwards, I cannot put sound afterwards.

When I write, I have a sort of secret kinship of readers in all countries who don't know each other but each of whom, when they read my book, feels at home in it. So I write for those readers. It's almost a sense of writing for a specific person, but it's a specific person who I don't know.

I was in New York City on 9/11. Grief remains from that awful day, but not only grief. There is fear, too, a fear informed by the knowledge that whatever my worst nightmare is, there is someone out there embittered enough to carry it out.

I probably get a deeper satisfaction of having taken a very good photograph than of having written something very good, a very good story. Maybe it's because the element of magic is so present in a good photograph - luck and magic, but also hard work and being ready and all that.