Tananarive Due

I characterize myself a little bit as a reluctant filmmaker. I learned from watching my friend in college stay up late at night, at 2 A.M., just to get the lighting right, and I thought, 'You know what, if that's what it's going to be like, I think I'm just going to write,' and I did that.

I don't think of people as black or white. It's a question of are they photogenic or not? I don't think anyone says, 'Let's book her. She's black.' I think they say, 'Let's book her. She's good.' We've come that far.

My obsessions stay the same - historical memory and historical erasure. I am particularly interested in the Americas and how a history that is rooted in colonialism, the language and iconography of empire, disenfranchisement, the enslavement of peoples, and the way that people were sectioned off because of blood.