Susanne Bier

I hate when the sun is high and there are no shadows. If I could do super high-budget movies, I would only shoot when the sun starts to get low - but you can't just shoot for four hours every day.

For me, grief is a static thing, and my movies have an extremely dynamic sort of movement.

I generally edit quite heavily. In general, there aren't many scenes that are sitting where they sat in the script in the final form.

Home will always be London. There's something unique about the British. It's about cheekiness.

I'm a great believer in poetry out of the classroom, in public places, on subways, trains, on cocktail napkins. I'd rather have my poems on the subway than around the seminar table at an MFA program.

The dew of compassion is a tear.