24 isn't like other shows, where you set the look once and you're done. The show started at midnight, then moved to a pre-dawn look, and now we're at dawn and we're warming up the day. Stephen Hopkins dawndaymidnight Change image and share on social
To be able to rely completely on the actors was a very simple process for me. Stephen Hopkins actorcompletelyprocess Change image and share on social
I have an adult emotional life and an editing system inside me which prevents me from being preposterously stupid. Stephen Hopkins adulteditemotional Change image and share on social
Knowing that Gene and Morgan were playing those roles made it much easier to put the script together-we knew who we were writing it for. It took some mystery away. Stephen Hopkins easygeneknow Change image and share on social
I had a birthday one night on a farm we were shooting on. I walked into the tent, and there were 150 people waiting for me, all wearing masks of my face. Stephen Hopkins birthdayfacefarm Change image and share on social
We use a lot of source music on some shows and none on others. Stephen Hopkins lotmusicshow Change image and share on social
It's been exciting to be able to go forward with stuff without 10,000 people saying, It should be like this. Stephen Hopkins 000excitforward Change image and share on social
Dark impulses certainly exist in me and, I think, in most people. Stephen Hopkins darkexistimpulse Change image and share on social
I had no special effects, no monsters running around, nothing blew up; those things are all things I've done so many times that they lose their allure after a while. Stephen Hopkins allurebloweffect Change image and share on social
Each environment has its own signature. Sound tells a story: You make choices about what you're hearing, where to look, how you want to feel about what's going on. Stephen Hopkins choiceenvironmentfeel Change image and share on social
