Simon McBurney

Everyone sees something different in 'Endgame': a biblical apocalypse, a portrait of painful co-dependency, a confession of guilt and dignity in the face of death, a night of baffling hopelessness, a meaningless babble. Each interpretation reveals an absurd truth - not about the play, but about the person watching it.

My grandma actually put me in girdles when I was around nine or ten because I had hips even then, and she didn't want boys to be attracted to me. Having hips meant you were a full-grown woman, and I was too young for that.

The historical novelist has to consider what has actually happened, while the SF writer is dealing in possibilities, but they are both in the business of imagining a world unlike our own and yet connected to it.

At one point, my house was a school for autistic children. I opened up my doors to about 30 kids and their families at the time. I was turning into Mary Poppins because I had to do something for these kids who have nowhere to go. So my house was the school for two years.