Scott Turow

The American preoccupation with the law, which is certainly not past, was at its zenith in 1995. The 1980s, the late 1980s, had sort of begun to percolate up to public consciousness this enormous interest in the law.

'Reversible Errors' is about the limits of the law to define who committed ultimate evil, to define what ultimate evil is, to allow the million arbitrary factors to make this a meaningful punishment, and finally to say, 'Are we really accomplishing what we wanted to accomplish? Are those anxieties relieved?' I don't think so.

If I'm serious, yes, I'd like to have done what Shakespeare did... to act and write. You learn so much from acting. One of our great writers, Alan Bennett, does both supremely well. When I write a story, I tend to speak it aloud as I'm writing it.

Do I sometimes hope I wake up in the morning and people are like, 'What's wrong with her? She looks emaciated.' Of course I would love that. I'm such a clothes whore, I would love the opportunity to be a hanger. But I think I'm more confident than I've ever felt in my life.