Sarah Hall

For its speculations to be taken seriously, dystopian fiction must be part of a discussion of contemporary society, a projection of ongoing political failures perhaps, or the wringing of present jeopardy for future disaster.

It's very interesting to me that the nationalist movement in Scotland has become so positive and self-reflective rather than anti-English. The referendum in 2014 was peaceful, for all its deeply and passionately divided people.

Daniel Woodrell has made a name as a master of prose with personality - a densely descriptive, gamey form of storytelling, one might say traditional storytelling - of late rather an unfashionable mode.

You don't ask people about the immigration policies of the U.K. or their country's agricultural policy. Instead, you talk to them about the meal they're eating or their family, and from that you get the sense of another human being, someone we can all relate to.

Over the years, I've lived in a variety of places, including America, but I was born and raised in the Lake District, in Cumbria. Growing up in that rural, sodden, mountainous county has shaped my brain, perhaps even my temperament.

I have friends of mine that are actors or singers, and they're the classic guys where, they're onstage, and they're like, 'Okay, the blonde in the third row, seat 24, bring her to my dressing room.' I've never, never taken advantage of that, I swear to God.