Sanjeev Bhaskar

I sense a kind of fear of writing black or Asian characters from non-ethnic writers, who perhaps feel that they don't know the culture and therefore can't write about it. By and large, if there's an Asian character, I might get a call. But if the character is called 'Philip,' the chances are I won't.

It always interested me that 'Goodness Gracious Me' and 'The Kumars,' when shown around the world, were referred to as British comedy. It was only here that they were referred to as Asian comedy, even though I always felt it was very British in its humour and structure.

If I go anywhere where there are people who vaguely look like me, there is always that feeling of, 'Actually I do look quite similar to everyone else.' At moments like that, I become very, very British. My accent gets more clipped, and I stride around as if I've got an empire.

I love 'The Office.' I'm in the premiere, and I'm maybe gonna shoot another episode this season, but I've been there since the very beginning, so when I found out this is the last year - I am a good Asian kid who was an A student - I wish I could be there to the end to see things through.

Because of the nature of King Arthur and the resonance he has, not only with within the U.K., but right around the world, I have found it a huge honour to play the part. I will look back on it very fondly and be very proud to have been King Arthur when I finally hang up the chain mail!