Roz Chast

I used to think of the cartoons as a magazine within a magazine. First you go through and read all the cartoons, and then you go back and read the articles.

I think of my drawing style like handwriting: it's a mix of whatever handwriting you're born with, plus bits and pieces you've pilfered from other people around you.

I love detail, like drawing what's on top of someone's coffee table. Maybe there's a little bowl of butterscotch candies on it, next to the four TV remotes.

For years I wrote in my basement. More recently I graduated to one floor above, an office with all my books and music and - ta da! - a window.

I'm not afraid of wanting money at all. Money will give me more power to do things that are truer to my spirit than what I'm already doing.

We did the 'MacGruber' Super Bowl spot for Pepsi, which generated some outside interest. We have a sketch where a guy blows up after 90 seconds. How are we going to make that into a movie?