Whether we live in Sri Lanka or Malaysia or India, the U.K. or the U.S., we face similar issues of understanding, remembering the past that has made us and seeing the future we want. Romesh Gunesekera facefutureindia Change image and share on social
If you are writing something, you automatically create a certain distance. It can be very little. Even within the same city you imaginatively have a certain distance from your subject, and at the same time, you have to have a connection. Romesh Gunesekera automaticallycityconnection share on social
To come to England in the 1970s was to return to this strange other-world of half-known history. I found the imperial architecture curiously familiar: the post office, the town hall, the botanic gardens. Romesh Gunesekera 1970sarchitecturebotanic share on social
I must believe that in words we will find what in fury we cannot. Romesh Gunesekera findfuryword Change image and share on social
In writing, I try to find the right balance between momentum and infinity, truth and beauty. Romesh Gunesekera balancebeautyfind Change image and share on social
I probably felt most out of place as a young kid growing up in Sri Lanka. My mental world was somewhere else, partly because of reading and daydreaming. Romesh Gunesekera daydreamfeltgrow Change image and share on social
I never expected to earn money out of writing. In fact, the idea of getting published was too bourgeois. Then, in England, I realised that writing a book was something you could do without it being laughable. Romesh Gunesekera bookbourgeoisearn share on social
My first inkling of what the Commonwealth might really mean came only when I escaped the oddly British-tinged Asia I had known and went to live in the Philippines. Romesh Gunesekera asiabritishcommonwealth Change image and share on social
To my mind, forgetting is a risky strategy for living. Memory is essential to us. It is DNA. We need to remember, and we need to imagine. That's why we have books, writing, fiction. Romesh Gunesekera bookdnaessential Change image and share on social
Two of the first plays I saw after I arrived in Britain were 'King Lear' in Liverpool, and 'Antony and Cleopatra' at Stratford. One was produced with hardly a backdrop and the other with gigantic scene changes. I was impressed by what connected the two: the words and their life beyond the stage. Romesh Gunesekera antonyarrivebackdrop share on social