Robert Gober

For the most part, works of mine are untitled. There was a brief period where I had poetic titles for works, and they're embarrassing now. I think, for the most part, it's not something that I have talent for.

When you grow up being taught to worship, whatever that means, there is an array of body-rich symbols: tears, blood, crucifixion, the stations of the cross, transubstantiation... Faith is a belief in something that is irrational, and so to have faith, there is some correlation there with the belief in the art.

It's hard to shape glass. It took me years of practice, and as a result, I've never gotten bored with it. It's difficult. Every time I come into the studio, I've got some sort of new challenge. And something that I would like to learn how to do better, and the material never disappoints me.

What I look for when I see a piece of art for the first time is some kind of emotional, intellectual experience, that's a combination of both of those things and is informed by my knowledge and something new that I see the artist doing.