Richard Grimes

It's like there was the Union, and then there's the Union Management. In some of the strikes that I covered when I saw the strike starting to break, wasn't necessarily when Management was giving in, more so than when the strikers were at odds with the Union Management.

I can remember going back a couple of years later and, you know, think about it and I was doing a, kind of a political survey, door to door, and everything and I couldn't find any men in the town. It was very strange, you know.

You know, when something like, even like a coal mine disaster, or something like this, you think that well everybody's going to make a run to be able to get out, but it happened to fast that they were just all dead.

The historical novelist has to consider what has actually happened, while the SF writer is dealing in possibilities, but they are both in the business of imagining a world unlike our own and yet connected to it.

Self-indulgence is something to watch, but anything that helps you understand situations that are difficult to understand is good. If you're having some sort of emotional trauma, you need to find a person to talk to about it who says, 'This is quite normal; it's fine.'

When I have a creative insight, there is a high. I think back in the day, I made music as much as I did because it made me feel so good. I think you could argue that there is a creative addiction - but, you know, the healthy kind.