You do think, if you have your druthers, 'I want to sort of be, not anonymous, but unknown'. But you don't have your druthers in life, do you? Richard Greenberg anonymousdrutherslife Change image and share on social
My mother wanted me to be a writer. But she was a child of the Depression and never understood that she wasn't poor. So, you know, the idea of not having a job, it would creep through. But she tried very hard to be subtle about it. Richard Greenberg childcreepdepression share on social
It's weird, because I don't feel prolific. I don't write anything for months at a time. Richard Greenberg feelmonthprolific Change image and share on social
I think I'm a writer, and it's my job. People in other professions are expected to do their jobs all the time. Why shouldn't I? Richard Greenberg expectjobpeople Change image and share on social
I don't write a play from beginning to end. I don't write an outline. I write scenes and moments as they occur to me. And I still write on a typewriter. It's not all in ether. It's on pages. I sequence them in a way that tends to make sense. Then I write what's missing, and that's my first draft. Richard Greenberg begindraftend share on social
I want to be a playwright the way people are bank tellers. I want to keep doing it and have it go steadily and smoothly. Richard Greenberg bankpeopleplaywright Change image and share on social
I came to New York, and it was fascinating and intimidating and yielding, and all the stuff it's supposed to be. But whatever the abstract essence I was seeking, I couldn't find exactly that. Richard Greenberg abstractessencefascinate Change image and share on social
People talk about alienation in the city. Diners are a place where you feel comfortable, an extension of your house. Richard Greenberg alienationcitycomfortable Change image and share on social
I think I can be an intimidating energy in the room. I think I come in with an aura of wanting results because as the playwright, I know how it goes, and there's the thought, 'Why can't they catch up?' Richard Greenberg auracatchenergy share on social
When you're writing plays, it's possible to believe you don't have any real world skill. When you're adapting, it is really all about the mechanics, so you feel closer to, I don't know, an accountant or someone who has a body of information. It's not all about temperament. Richard Greenberg accountantadaptbody share on social